Monday, September 21, 2015
The Aeneid, Teleological Meta-Narratives, and the Hope of Israel
I’ve been reading The Aeneid by Virgil
recently. My main reason in doing so is because of my reading of N.T. Wright’s
Paul and the Faithfulness of God. In the latter work, Wright argues that The
Aeneid was the first work in world literature (outside of the books of the
Bible) to present a teleological meta-narrative. The running theme of The
Aeneid is that history was building itself towards the establishment of Rome,
specifically the Augustine reign. Elsewhere, such a view of history was not to
be found … that is, outside of the Biblical worldview of God’s redeeming work
in history through Israel leading up to the coming of Christ. Wright uses The
Aeneid to compare and contrast it with Paul’s understanding of Israel’s
teleological meta-narrative.
Much of philosophical modernity from the 19th
and early twentieth centuries focused on teleology. Hegelian philosophy argued
an evolutionary, dialectical, mediatory approach to history in which the
contradictions in society are resolved through their synthesis. This leads to
inevitable progress.
On the purely secular and materialistic level,
Marx embraced Hegelian dialectics as a political-economic struggle of history
in which the state was an expression of cold immutable forces and a tool of the
progression of society from a capitalistic system to a communistic system that
eliminated all societal contradictions. In Marx’s teleological thinking, the
meta-narrative of history is the inevitable collapse of capitalism based upon
its internal contradictions. However, contra Marx, capitalism continued to
thrive unabated leading to self-evident societal progress while socialism
continued to destroy and disrupt advancement in the societies in which it was
applied. Indeed, in the places where Marxist philosophies were most strictly
followed … well, Nazi Germany, Soviet Russia, Eastern Europe, China, Cuba,
Cambodia, Vietnam, North Korea, post-Revolutionary Mexico, Zimbabwe, Venezuela,
etc. speak for themselves. Furthermore, the philosophical developments of the
20th century, particularly in the 1960s, led to a rejection of the
Marxist teleological view of history as an economic meta-narrative. We now
entered post-modernity.
One of the distinguishing characteristics of
post-modernity is the abandonment of the meta-narrative as philosophical
discipline, particularly as a cultural-societal phenomenon that might be
considered hegemonic to other cultural narratives. It is interesting and ironic
that the current U.S. President – our most post-modern to date – frequently
asserts a teleological meta-narrative as rhetoric. “The arc of history bends
towards justice.” “We are the ones we have been waiting for.” Whether it is his
naiveté of Hegelian-influenced Marxism or the influence of post-Millennial
classical Christian liberalism, our current commander ‘n’ chief seems to hold
to a teleological meta-narrative worldview. Though I’m not sure it is the right
one.
As I’ve written and stated elsewhere, a
meta-narrative is essential to Christianity. God’s redemption of creation
through Man, Israel, and Christ is central to the Faith. All the teachings of
the Bible, the moral codes, life lessons, and church functions are pointless
unless there is an over-arching narrative purpose towards which such things are
directed and in which contextualized. Indeed, both 1st century
Palestinian Judaism as advocated by the Pharisees and Jesus and the
post-Resurrection morality teachings of Paul were teleological in purpose and understood
with Israel’s meta-narrative. Both drew from Israel’s Scriptures and similar
strains of interpretation of Yahweh’s blessing to Abraham:
“I will greatly bless you,
and I will greatly multiply your seed as the stars of the heavens and as the
sand which is on the seashore … In your seed all the nations of the earth shall
be blessed” (Gen. 22:17-18; cf. 12:12).
This is the core of the Jewish teleological
meta-narrative. It is expanded upon in Deuteronomy, the Psalms, Deutero-Isaiah,
and Daniel. The idea understood in Jesus’ time is that Yahweh would return to
his people, defeat Israel’s enemies, and establish and eternal kingdom that
renewed creation. This was the great
hope of Israel. In all this, the teleological meta-narrative was that history
was building towards something. It was the special proclamation of John the
Baptist and Jesus that the history of Israel was about to reach its climax:
Yahweh was returning to Zion, Israel’s enemy was about to be defeated, the
Kingdom of God was about to be inaugurated. It was/is the Christian contention
that the ministry, death, and resurrection of Jesus brought about this
historical climax, though in a completely unsuspecting way. Jesus is seen as
the first fruits of the resurrection (1Cor
15:20, 23), fulfilling the God’s promise to Abraham (Rom 4:13; Acts 7:17; Gal
3:29) and inaugurating New Creation (Gal 6:15).
This is why Christianity cannot abandon a
teleological meta-narrative as a worldview. Israel’s history was building
towards the climax of Jesus and his resurrection, while the results of that
resurrection builds the rest of history towards its consummation and the
resurrection of all believers in new creation. Indeed, a Paul himself wrote, “If
Christ has not been raised, then our proclamation is in vain, and your faith is
in vain” (1 Corinthians 15:14; cf. v.17).
So it’s been
interesting to read how Virgil in his The Aeneid writes the history of Troy,
Carthage, and Italy to legitimize the Roman Empire and Augustus as its ruler. The
difference from the Biblical narrative of course is that Virgil lived at the
end point and was writing “prophecies” into this one work, while the Biblical
writers had numerous prophecies that they were waiting centuries to see
fulfilled. Still, Paul and the other early Christian writers, living 50-60
years after Virgil, are pointing towards Israel’s Scriptures and common Jewish
strands of interpretation to make their teleological point. That The Aeneid was
well known in the first century Greco-Roman world in which Paul was writing is
what makes this interesting.
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