9. Days of the Bagnold Summer, by Belle & Sebastian (2019)
A minor
effort from a favorite group. The band is always a pleasure, mixing light, pop
music sound; fabulously well-written songs; with witty social lyrics, and often
matters of faith. As a soundtrack album, Days of the Bagnold Summer is
still good, but more subdued, as one would expect. Choice track: “Safety
Valve”.
8. Perdida, by Stone Temple Pilots (2019)
Big STP
fan here. My favorite band of the 1990s. All their albums are on my permanent
playlist, including the Talk Show side project, which is wonderful. Perdida
is quite good, with the regular musical lyrical hints that make STP wonderful
songwriters. It’s their second effort with Jeff Gutt who has a voice close to
the later works of their now deceased classic singer, Scot Weiland. Gutt is
very good and smoothly works with the DeLeo Brothers music. Perdida is
superior to 2018’s eponymous album, aside from the latter’s “"Thought
She'd Be Mine" which is one of the best Stone Temple Pilot songs. However,
this album comes off as more of a minor effort on their part, but still good.
Choice tracks: “Fare Thee Well”, “Three Wishes”, and “She’s My Queen”.
7. Venus and Mars, by Paul McCartney and Wings (1975)
I was familiar with a few of the
songs on the album from various McCartney/Wings greatest hits albums, but never
listened to the whole album. I found the vinyl LP several weeks ago and gave it
a listen. Even if it’s the next to the least greatest Wings album (Back to
the Egg), it’s still quite good in the way most Paul McCartney albums are.
Choice tracks: “Venus and Mars” and “Listen to What the Man Said”.
6. Song Reader, by Beck (2014)
The time
between Beck’s Modern Guilt (2008) and his Morning Phase (2014)
was his oddest period. He was released from his record label and went
independent. He moonlighted as producer, working with artists such as Charlotte
Gainsbourg (see IRM), Thurston Moore and Stephen Malkmus. He held an
online Record Club where he and an assortment of his friends recorded a classic
album (Oar, Kick, Songs of Leonard Cohen, Yanni Live at
the Acropolis, Velvet Underground & Nico), released a couple of
stand-alone singles, and worked on an abandoned country “Nashville” album that
would eventually become Morning Phase. At the same time, Beck worked on
a long-incubated project from his Odelay period. Song Reader was
a set of 20 songs Beck wrote only on sheet music for other artists to record.
In 2012 he released a book of the sheet music along with 100 pages of art (I
own it). Beck played a few of the songs live, but in 2014 an album of various
artists was given limited release, which included Jeff Tweedy, Norah Jones,
Jack White, Jarvis Cocker, Jack Black, with one song recorded by Beck. The
album is good, particularly the songs recorded by Beck and by Black. A lesser
effort and side project but still far better than anything most other artists
accomplish. Choice tracks: “Heaven’s Ladder”, “Rough on Rats”, and "We All
Wear Cloaks".
5. Lost and
Gone Forever, by Guster (1999)
I had been completely unaware of Guster prior to this album. Even now, I know little else. Catchy songs. Almost too catchy, if that is a thing. Choice tracks: “What You Wish For”, “Barrel of a Gun”, and “All the Way Up to Heaven”.
4. Different Class, by Pulp (1995)
Another
seminal group from the 90s Britpop music scene. This album is considered Pulp’s
best and its best song, “Common People”, has frequently been referred to as the
anthem of Britpop. After Oasis, Blur, and Suede (Radiohead and The Beta Band
don’t qualify), Pulp is the fourth best Britpop group. Different Class
is good, with many consistently good songs, though none (I think) rise to the
level of greatness. In this specific way, it reminds me of Exile on Main
Street: there were amazing songs on the Rolling Stone’s previous albums but
also much mediocre filler; Exile may not have any amazing songs, but
it’s consistently good and grows with repeated listenings. The title Different
Class is apt; the album is mostly focused on issues of British class differences.
Choice tracks: “Common People”, “I Spy”, “Sorted for E’s & Wizz”, and “Monday
Morning”.
3. Night Thoughts, by Suede (2016)
My
appreciation of Suede continues to grow. They are a Britpop band, lesser
well-known in the USA. They were one of the seminal bands of the 90s pop music
movement in Britain that included Oasis, Blur, Pulp, Supergrass, and Elastica.
I discovered them two years ago and immediately fell in love with their Coming
Up (1996) which became a favorite. The following year I fell in love with
both Dog Man Star (1994) and Head Music (1999). Night Thoughts
is the fifth of their current eight albums I’ve listened to (I’m spreading them
out). Like the other three mentioned, this album is great with fantastic pop
songs. While this album may not be my favorite of the year, it includes my
favorite song of the year, the phenomenal and exquisitely constructed “I Don’t
Know How to Reach You.” Just fantastic rock star swagger, wailing vocals,
ethereal playing, and attempts to push pop past the edges. Choice tracks: “No
Tomorrow”, “I Don’t Know How to Reach You”, “What I’m Trying to Tell You”, and “Like
Kids”.
2. Power Up, by AC/DC
(2020)
1. Your Husband, My Wife, by Bobby Bare and Skeeter Davis (1970)
My favorite album of the year was also the first “new” album I listened to in January 2020. I immediately knew it would be the best. I’ve spent much of the past 18 months working slowly thru the LPs I’ve inherited. Everyone. Even if it looks dreadful. Your Husband, My Wife was one of the dreadful looking ones. The cover fooled me. It was album of mostly covers. And it was country music. It was all duets. And from 1970. I don’t like country music (except for the occasional Beck song). And the album title is … questionable. But I listened to the first song (the title track) … and it was really good – especially with the steel guitar. The second song, “Before the Sunrise”, was a jaunty tune, also very good. Third song, “I Got You” … a tremendous song. I was sold by now, but the songs kept coming: “Dream Baby”, “A Truer Love You’ll Never Find”, “There Never Was a Time” … Yes, this a fantastic album, and I’m just as shocked as you. I ended up getting the digital version so I can listen to it on the go. And I did. Before 2020 “officially” hit, I was traveling 40 minutes up to Shelby, NC and back most nights for play practice and performance (Rosencrantz and Guildenstern are Dead, by Tom Stoppard); so, I listened to the album repeatedly for weeks during those drives, which just enhanced the enjoyment of those times. I think the album is fantastic, it’s on my permanent playlist, and now a top 50 favorite. I had been completely unaware of Bobby Bare, and I only recognized Skeeter Davis from her song, "The End of the World" (which I probably should’ve taken as a 2020 warning hint). Davis wrote the only original song on the album (“Let’s Make Love Not War”). People occasionally question my love of Bigger Better Fast More by 4 Non Blondes, or of Ringo by Ringo Starr (and the Beatles), but Your Husband, My Wife is truly the most unlikely of favorite albums, especially for me. Yet here it is. Choice tracks: “Your Husband, My Wife”, “Before the Sunrise”, “I Got You”, “Dream Baby”, and “A Truer Love You’ll Never Find”.
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